course A [ ] ‘Creative Writing 1: Landscapes’

how we give life to the world around us
and then try to interpret its meaning...

1. Who'd Be A Writer? Fun, Profit And Plato's Cave...

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why write? you and the need to say it...

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who are you talking to and why do you want to tell someone like them anyway?

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if you really want to tell them, what is the best way to say it?

2. The Commonality Of Language - " I thought I Understood And I Guess I'll Get Back To You...Soon".

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your personal philosophy and how to make it make sense (in writing that is)

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looking at it from the outside - what is its shape and why are there holes?

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what I say is not what you understand - eyes, mouths and ears are all different...

3. The Self Versus The Non-Self (And Visa-Versa)

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tension in description - up, down, left, right so what's implied in between?

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if I were to describe me as someone else saw me what would it read like?

4. What Is A Landscape And Why? Do We Live In It Or Does It Live In Us And Should We Ever Give A Damn?

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they're all made up of living and non-living things, but what do you focus on that makes them unique?

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these are the things that I see which makes each landscape unique, so what does that mean to me?

5. Take This Object And Make Into A Living Thing (Outside)

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love between rocks/the sadness of a discarded wrapper/the frenzied enlightenment of a microwave...

6. Take This Person And Explain What They Mean (Inside)

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all the emotions stacked like cards/all the thoughts created for an end/all physical action defined for a purpose...

7. Time, Space, Things Happen And All That Jazz (Contrapuntal Harmony Summarised).

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in the beginning was the beginning, in the end was the beginning of the next end.

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in between, objects and animals and people collide, generally for a purpose, where someone or something decides to act.

8. Here It Is From Heaven, Here It Is From The Ant, So Who's Wearing The Sunglasses?

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from the top of the mountain, you can describe the pattern as a pattern, on the ground looking up you never know what's going to happen next

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is any one view better, different, easier, more correct?

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can you be in both places at the same time?

9. The Grand Composition (Flowers And Mutations) - How Do You Cut And Why Isn't It More Painless?

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no real answers here, just taste, style, aspects of all of the above and, of course the writing...

write mechanix tutorials
course outline copyright david young 2000 and before 
Phone 02 6254 2917

no words can ever be written unless they’re meant...